Archive for April, 2010

Vegas NAB and Coachella

Kessler Party in Vegas with Laforet, Bloom, Rodney Charters, Dan Chung, Tyler Ginter, Khalid Mohtaseb, Tom Guilmette, Zacuto's Steve Weiss and Sue, etc. I'm standing between Laforet and Ginter

After years of wanting to attend NAB (National Association of Broadcasters conference) in Vegas, this year, I couldn’t resist any longer. My work was being featured in Canon’s “HD Theater” in the main convention hall, and there were just too many people I wanted to finally meet, and sponsors I wanted to thank. After a grueling 10-hour drive hauling the 30ft trailer from Lake Powell down to Coachella, I raced back to Vegas to NAB. Almost immediately, I was able to meet a lot of the major players from Canon USA, including (the real) Chuck Westfall and Amy Kawadler. The strangest part for me, was the fact that several times I was stopped in the hotel or on the convention floor with “Tom?? THE Tom Lowe from Timescapes??” *Blush* I am a guy who spends most of his time sitting on camping chairs under stars and trees in remote places. I was quite surprised that anyone even knew who the hell I was.

I got to meet some of the real luminaries of new digital cinema, including Dan Chung, Philip Bloom, Rodney Charters, Alex Buono, Khalid Mohtaseb, Jon Rawlinson, etc. I figured most of my time at NAB would be spent eye-balling new gear and cameras. But in fact, 95% of my time was spent just meeting people and saying hi.

Wednesday night, Eric Kessler of Kessler Cranes threw what was supposed to be a small dinner party for just a few of us, but quickly turned into a fairly epic little gathering (photo above). By night’s end, we were at Gustav’s bar at the Paris hotel having drinks with Laforet, Chung, Charters, etc.

NAB pics…

Crazy Cineflex Mad Max camera car from helicopter filming god Ron Chapple

Philip Bloom shows off his better side at Kessler party

Drinks with Vince, Dan, Matt Jeppsen and Rodney

Dan Chung, out for the count! That 60oz piƱa colada is no joke

From the frying pan of NAB, straight into the flames at Coachella! Dan Chung and Drew Walker joined me immediately after NAB for three days of filming at the Coachella music festival. Needless to say, this was a bit of a culture shock after the previous six weeks of filming cactus and joshua trees out in remote deserts. First of all there were gorgeous women everywhere. And the music.. wow!

Coachella pics…

The wristband

Dan rockin the Red One MX digital cinema camera

Crazy stuff at Do Lab stage

Trying to film people in various states of ecstasy


Dan was kind enough to bring me a highly prized Canon coffee mug!

Here are two frame grabs from the Red footage we shot… all of it was filmed at 3K RAW 50 frames per second…

Hula Hoop at 50 frames per second...

This girl was AMAZING. She had me mesmerized the whole time I was filming her

Next up, I am heading to Nevada soon to film for about a week to ten days, for a big new Nevada State Museum project. This will be a high-tech museum with video walls. I believe it will be built on the Vegas strip. I will use the earnings to supplement the modest “Southwest Light” budget, and will also be able to use the clips in my film.

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Thanks, Dustin!

Dustin doing a timelapse move at Coachella

I wanted to say a special thank you to my spring intern, Dustin Kukuk. Simply put, I couldn’t have done what I did over the last six weeks without Dustin. His enthusiasm, humor, hard work and artistic ideas helped push me in new directions and motivate me to work even harder myself. For a guy with little camping or timelapse experience, Dustin took to it like a duck to water. How many bonfires did we huddle around while the Canon cameras were tucked away in some nearby valley shooting timelapse until 3am? How many miles of pitch-black landscapes did we stumble across to check on the dolly without ruining the shot with flashlights? How many nights did we freeze massive amounts of balls in sub-freezing temps sleeping out in vast deserts on open cots? How many times did we rock “Dubside of the Moon” in breathtaking locations under epic stars? It was awesome, my friend. Hope you learned something. I did.

And just remember your promise…. to wheel me out to the Holy Land when I’m 90 years old for one last cold beer, bonfire, and timelapse shoot! :D

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New Production Footage — Timescapes: “Death is the Road to Awe”

Timescapes: “Death is the Road to Awe” from Tom Lowe @ Timescapes on Vimeo.

This is some production footage from our first six weeks of principle photography on “Southwest Light.”

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Page, AZ Update April 9

Mobile Production Studio

Tom on Red MX with Duclos 80-200mm

Red on shore of Lake Powell

People watching at 200mm

On Thursday, me and Dustin (who took all these blog pics by the way) went back out to the “Holy Land” for one last hurrah. We arrived at the remote location before sunset, scouted, and got our first dolly move off around 9pm. The next dolly move we started about 11pm. By 3am, we were freezing some serious balls in the sub-freezing temps, not to mention barely being able to stay awake around our little campfire. We wrapped the final dolly move around 5am, just as the sun was lighting up the sky before sunrise. Only one thing kept us going.. thoughts of hauling ass to McDonalds for some breakfast sandwiches, hashbrowns and coffee! That was pretty much all we talked about around the fire from 4am on…. Hahahaha.

As you can see in the above photos, the weather has taken a turn for the better here at Lake Powell!! Today was sunny and warm. I just soaked it up all day, messing around with new gear out on our sunny little patio. Check out this ridiculously awesome “timelapse crane” that Eric Kessler from Kessler Cranes built for me. I cannot wait to try it out on a windless night at Joshua Tree, for example:

New Kessler “Timelapse Crane” from Timescapes Behind the Scenes on Vimeo.

We have an epic 9-hour drive to Coachella music fest coming up on Monday. I’m not looking forward to that. Once I drop the trailer and Dustin off at the artist campground at Coachella, I am zooming over to Vegas for 2 or 3 nights to schmooze, see some of my clips in two different Canon reels, pick up the new camBLOCK dolly axis, and attend the Red party. Should be crazy being around all those people, sounds and lights after spending nearly 2 months out in these beautiful, quiet, remote locations.

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We’re in Page, AZ – Lake Powell

Our new campground

Trying to film in 30mph winds


We made it to Page, AZ a few days ago. Our trailer is basically right on Lake Powell. The weather has been extremely bad, with 50mph winds and grey skies, but we’ve managed to get a few really nice shots done. The photos below were taken from Highway 89 just south of Page, overlooking the upper Grand Canyon, when some seriously crazy light rolled in just before sunset!

Breaking out the big guns


Into the light


Using my truck to block the wind

On Friday, LA timelapse legend Drew Walker from 599 Productions came out to join us. We immediately took him directly to the top secret “Holy Land” location, and judging by his reaction, he was not disappointed. ;) I wish I could share some of the photos and behind-the-scenes videos and timelapses we made, but I am going to keep that location secret until at least this Fall. I am working on a big follow-up to “Mountain Light” that will be 8 minutes in length and will contain many shots from the “Holy Land” and our entire year on the road.

I know I have been slow on this blog. It’s mainly due to the fact that I have been struggling to get all the gear together, figured out and working. But I am vowing to do a lot more updates as the film progresses, so stay tuned.

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camBLOCK is Alive!

camBLOCK system preview from Timescapes Behind the Scenes on Vimeo.

After a series of delays and crucial accessory parts being shipped late to RV parks that we had already left the week before (I’m talking about you, “Price Pros” :( ), we’ve finally got the camBLOCK pan & tilt motion-control system up and running. It’s very, very slick. I should be getting the dolly axis at NAB around April 13th. With the full 3-axis system, this will be a serious game-changer for the most advanced, high-end timelapse shots I am after.

This thing is super advanced and can do all kinds of crazy stuff. I’ll make some lengthy, on-location videos so you guys can see exactly what it’s capable of.

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