Archive for June, 2010
Eastern Sierras – June 2010
Jun 30th
After Yosemite, we were two weeks behind on data backup and processing, so it was a real blessing when friend Tony Rowell offered to let us park the “Mobile Production Studio” in front of his house in Bishop for three weeks, and let us live and operate out of a beautiful 4-bedroom additional house he has on his property. This allowed us to catch up on a lot of business- and producing-related tasks, to get totally backed up on data protection and gear, and to operate out of a secure, comfortable base in a perfect staging location along legendary Highway 395. Thanks, Tony!
Here is a taste of our adventures over these past couple of weeks.

We chose correctly, because about an hour after that location-scouting video, we lucked out on some epic lenticular clouds near Alabama Hills

Then, like the next day, we saw another huge lenticular and raced out to film it. I often use my truck to block the wind.
As I said, in Bishop, we finally had a chance to get caught up on our gear and computer stuff:

After years of dreaming about filming this poignant place, I finally got down to business filming the monument at Manzanar

But I wasn't done yet. I am always looking for something special, so I shot it again a couple nights later.

But I STILL wasn't done. I filmed Manzanar for a third night, looking for something extraordinary. I will probably shoot it again several more times until I am satisfied.

Next up, we filmed photographer Jeff Sullivan's beautiful daughter Nicole in a meadow full of wild Iris flowers. Cinevate sent this Atlas slider to test and it performed very well.

Nicole did an amazing job just being a free spirit, and the Red MX camera captured the images beautifully at 50 frames per second.

We happened to be in Bishop for a big rodeo event, so we grabbed the Red MX and had ourselves a good ole' time.

After all that city slickin', it was time to get back to nature, with a two-night camping trip to Troy Meadows. As you can see, I need a bigger truck. ;^)

Whenever I need extra luck on a shoot, I wear this incredibly bad ass t-shirt I picked up at a truck stop.

You thought that shirt was a joke, right? Not at all! This rainbow was the result, only the second time I have ever worn that shirt!
Next up, we are leaving for the High Sierras in the morning!
Yosemite May-June 2010
Jun 12th
We had an awesome visit to Yosemite National Park in late May & early June, thanks to our gracious host Steve Bumgardner, aka “Yosemite Steve”: http://twitter.com/YosemiteSteve
The trip started with a real bang, literally, during the long drive from Palm Springs to Yosemite, when one of the tires on our 30-foot Toyhauler trailer blew out.
Thankfully, AAA sent someone out to fix it. After the tire blowout, my trailer brakes went out right when we crossed into Yosemite. I had to ride 1st and 2nd gears all the way into Yosemite Valley
Next up, I had to maneuver the “Death Star” trailer through some crazy obstacles to get it parked at the Lower Pines campground in Yosemite Valley.
So after all of that nonsense, we finally got down to some filming!

When the weather got iffy, we went to Plan B: drinking lots of beer. Drew Walker, Tony Rowell, Steve Bumgardner's eyes and hat

Filming at Glacier Point with Chris M, Steve and Drew. We had an epic night up there, with 6 Canon cameras rocking various astro timelapses until 4AM
One of the main goals of this early-summer trip was to film “Moonbows” on the waterfalls at Yosemite, which can mainly be done in May and June. We hooked up with well-known Flickr photographer and location expert Jeff Sullivan for several nights of attempting to capture these elusive moonbows. It was a lot of fun.
As cool as the moonbows were, probably the highlight of the Yosemite trip for me was the afternoon we spent filming wild bears in the meadows. All credit goes to Tony Rowell (http://www.tonyrowell.com), who spotted the bears and radioed us: “We got bears!…. turn around!” It was an incredible rush — a natural high — being out so close to the bears and filming them.

It was a sublime experience filming these bears. I am not going to reveal the best shots we got until the film, or at least the trailer ;^)
Tony got some beautiful still shots and even timelapses(!) of these bears, then snapped a photo of me and Chris coming back from the filming:
Tony got both of those shots on his dad Galen’s (http://www.mountainlight.com/rowellg.html) old, beat-up, scratched Nikkor 300mm.
Shooting waterfalls on the Red camera at 50 frames per second:
Next up, the Eastern Sierras!!!!


























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